Sony's New 70-200mm f/4 Macro: The Case For Ditching the f/2.8 (And When Not To)
I keep a running spreadsheet of every lens I’ve tested against its price-to-performance ratio. Most of the time, the “Holy Grail” options sit at the top because of reputation, not results. The 70-200mm f/2.8 is the perfect example. It’s the lens everyone points to as the gold standard for telephoto work, and honestly, it earns that reputation. But I’ve been asking myself lately whether that reputation is making photographers overpay for capabilities they don’t actually use.